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Advances in surgical technique and broadening indications for complex gastrointestinal procedures, surgical management of thoracic, hepato-pancreato-biliary, and colorectal diseases continues to evolve, but morbidity continues to be a persistent problem. This book provides a comprehensive, state-of-the art, definitive reference for the diagnosis and management of difficult-to-manage complications following advanced gastrointestinal surgery. All chapters are written by experts in their field and include the most up-to-date clinical information from national and world leaders in their respective discipline.  The text provides a practical, clinically useful guide that reviews risk factors for these complications and offers key information on how to avoid potentially high morbidity events in the peri-operative period.  It also discusses the management of these problems when they do occur.  With its helpful guidelines and “tricks of the trade” to avoid potential complications, this book is essential to all medical professions treating such patients.

Gastrointestinal Surgery: Management of Complex Perioperative Complications is of great value and utility for general surgeons, thoracic surgeons, upper gastrointestinal surgeons, colorectal surgeons, hepato-pancreato-biliary surgeons, surgical oncology fellows, thoracic surgery fellows and upper level residents in general surgery.

• Sales Rank: #2872458 in Books
• Published on: 2015-04-28
• Original language: English
• Number of items: 1
• Dimensions: 10.00" h x 1.13" w x 7.00" l, .0 pounds
• Binding: Hardcover
• 484 pages

Review

“The intended audience is practicing general surgeons and surgical oncologists, but the book also can be useful for residents and advanced surgical trainees. … This is a good reference for general surgeons and cancer surgeons. It covers multiple pathological conditions seen during the postoperative period and provides useful information to guide clinical management decisions. The organizational scheme makes it easy to find detailed information about specific complications, tips on how to avoid them, and extensive suggestions on management.” (Prashant Khullar, Doody’s Book Reviews, April, 2016)

From the Back Cover

While surgical management of thoracic, hepato-pancreato-biliary, and colorectal diseases continues to evolve, morbidity continues to be a persistent problem. This book provides a comprehensive, state-of-the art, definitive reference for the diagnosis and management of difficult-to-manage complications following advanced gastrointestinal surgery. All chapters are written by experts in their field and include the most up-to-date clinical information from national and world leaders in their respective disciplines.  The text provides a practical, clinically useful guide that reviews risk factors for these complications and offers key information on how to avoid potentially high morbidity events in the peri-operative period.  It also discusses the management of these problems when they do occur.  With its helpful guidelines and “tricks of the trade” to avoid potential complications, this book is essential to all medical professions treating such patients.

 

Gastrointestinal Surgery: Management of Complex Perioperative Complications is of great value and utility for general surgeons, thoracic surgeons, upper gastrointestinal surgeons, colorectal surgeons, hepato-pancreato-biliary surgeons, surgical oncology fellows, thoracic surgery fellows and upper level residents in general surgery.​

About the Author

Timothy M. Pawlik, MD, MPH, PhD

Professor of Surgery and Oncology

Chief, Division of Surgical Oncology

John L. Cameron M.D. Professor of Alimentary Tract Diseases

Director, Johns Hopkins Medicine Liver Tumor Center Multi-Disciplinary Clinic

Johns Hopkins Hospital

Baltimore, MD

Shishir K. Maithel, MD

Associate Professor of Surgery

Division of Surgical Oncology

Department of Surgery

Emory University

Atlanta, GA

Nipun Merchant, MD

Professor of Surgery and Cancer Biology

Director, Vanderbilt Pancreas Center

Department of Surgery

Vanderbilt Medical Center

Nashville, Tennessee

Most helpful customer reviews

1 of 1 people found the following review helpful.
A must have
By JFV
All the info you need in one place for the management of complex GI surgery misadventures and problems. If you are in private practice and miss that environment of working in a surgery department with years experience and good advice to draw from, then this is the book for you. Most chapters are relevant to a broad practice. All are worth reading and the listing of key points and pearls in each chapter makes reading seem like receiving gentle advice from a benevolent senior surgeon. Well worth the price.

0 of 0 people found the following review helpful.
Five Stars
By guillermo marcial martinez polanco
Ver y well,excelente.

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[M381.Ebook] Free Ebook Green Beret in Vietnam: 1957-73From Osprey Pub Co

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• Sales Rank: #7694959 in Books
• Published on: 2002
• Binding: Hardcover

Most helpful customer reviews

15 of 15 people found the following review helpful.
A good overview - highly recommended!
By Filupe Loupe
For those who already have a small library of books on Vietnam Elite Forces and Militaria the names Gordon Rottman and Kevin Lyles are no strangers. To my knowledge this is the first time they have collaborated together and the result is as could be expected - excellent!
Given the many roles SF personnel conducted during the Vietnam conflict, their 'bread and butter' was the 'advisory' effort and consequently, this is what the book focuses on.
The text is well indexed, concise and clear - covering items such as organisation, training, life in the A-camps and the weapons utilised. The majority of photos are new and well chosen for their relevance to points in the text. Kevin Lyles' colour plates are superb - clean and well detailed - his intimate knowledge of the items involved are apparent (such as the highly 'technical' method of squeezing extra transmission range from a PRC-25/77 radio!). They also illustrate the closeness that SF soldiers had with their indigenous charges - my favourite colour plate depicting a light hearted mortar lesson!
My only criticisms of the book are in the order of nit-picking .. The 'SSGT' depicted in Plate 1 is quite obviously SF officer and legend, Ed Rybat - why not give him his due rank? Also, SF involvement in MACV-SOG was only alluded too - but in the space limitations of this particular publication this is understandable.
Incidentally the cover depicted on the amazon page was illustrated by Ron Volstad and most likely a pre-production cover - it is NOT the actual cover of the book I obtained.
In summary, a must have book for those researching the life and look of the SF soldier of the period. It brings together in a clear, concise way information that one would otherwise have to obtain from more expensive or out-of-print texts. An authoritative bibliography is also supplied for those interested in further reading. Although a short book, it is a worthy companion to those other excellent Rottman and Lyles titles adorning the bookshelf of the SF aficionado.

3 of 3 people found the following review helpful.
Good to go!
By D. D Lawson
A goog solid effort on a very interesting subject for me. A good nuts and bolts book about the SF. A worthy addition for a library dedicated to Military History.

0 of 0 people found the following review helpful.
Nuts and bolts
By Witchita
This a great read for anyone interested in the nuts and bolts of green beret operations in Vietnam. Anyone who is a student of history and/or particularly interested in Green Beret operations in Vietnam will find this book a good resource on the weapons they used, their organization, their fortifications and living quarters, and a glimpse into the mindset and overall experience of entering Army Special Forces and going into Vietnam.

Those who are looking for exciting tales of combat, or soldiers personal stories will be disappointed.

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[S796.Ebook] Get Free Ebook The Last Man (Annotated), by Mary Shelley

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This Edition Features
● A Detailed Biography of Mary Shelley
● A Fully Interactive Table of Contents
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It is the twenty-first century, and England is a republic governed by a ruling elite, one of whom, Adrian, Earl of Windsor, has introduced a Cumbrian boy to the circle. This outsider, Lionel Verney, narrates the story, a tale of complicated, tragic love, and of the gradual extermination of the human race by plague.

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• Sales Rank: #522603 in eBooks
• Published on: 2013-05-27
• Released on: 2013-05-27
• Format: Kindle eBook

From Publishers Weekly
Set in an apocalyptic future ending in the year 2100, Shelley's 1826 novel concerns a plague that destroys almost all of humankind.
Copyright 1993 Reed Business Information, Inc.

From Library Journal
Thanks to yet another film incarnation, 1818's Frankenstein is again a hot property and may even make the best sellers lists. These two editions mark both ends of the publishing spectrum, with Signet offering the inexpensive movie tie-in version complete with photos from the film and an afterword by Howard Bloom. The California version is the Pennroyal edition, featuring gorgeous illustrations by Barry Moser and an afterword by Joyce Carol Oates. Published in 1826 after the death of her husband and three children, The Last Man is Shelley's dark look at an apocalyptic future.
Copyright 1994 Reed Business Information, Inc.

Review

“Anne McWhir’s edition of The Last Man is first rate! Mary Shelley’s novel is well served by a careful editor who provides an informed introduction, comprehensive annotations, and well-chosen appendices that contextualize this richly complex novel―Shelley herself would have been pleased!” ― Charles E. Robinson, University of Delaware

Most helpful customer reviews

110 of 117 people found the following review helpful.
'All The World Has The Plague!'
By mp
Mary Shelley's novel, 'The Last Man' is a work which is slowly gaining the critical attention it richly deserves. Fans of 'Frankenstein' will be astounded at how much deeper Mary Shelley's indictment of 'masculine' visionary Romanticism, technology, and the faults of humanity go in 'The Last Man'. At the same time, the novel is fraught with problems and contradictions which give an already paranoid work a whirling sense of internal dementia.
The action of 'The Last Man' takes place between 2073 and 2100 AD. England is ripe for change as the last King of England abdicates his throne in response to public outcry for a more democratic form of government. Lionel Verney, a shepherd, is drawn out of a life of wildness and crime by Adrian, the former crown prince of England. The charismatic Lord Raymond enters the story as the lover of Lionel's sister, Perdita, and the newly-elected Lord Protector of England. Torn between his love of power and his affections for his wife and a persistent attachment to Evadne, a Greek woman, Raymond renounces his political position and flees to Greece. There, he leads a military campaign to establish Greek independence and bring about the end of the Turkish empire.
Then, the Plague takes over. The nondescript malady has wiped out the population of Constantinople just as Raymond conquers it, making his victory meaningless. Word of the plague's virulence comes in from Asia and America, and from the southern, eastern, and western corners of the world, the plague begins to encroach inward towards Europe and England. The remainder of the novel tracks Lionel and Adrian's attempts to save the human race from utter annihilation.
In 'The Last Man', Mary Shelley gives us a horrifying, desolate prophecy of the future, when religion, technology, and human effort are all exposed as meaningless. Although many might say that she also abandons the redemptive possibilities of art, I think that art provides the novel's only hope. Mary Shelley's dependence on art of every format is clear in the novel's influences - She has Lionel refer to literature, including the works of Daniel Defoe, Charles Brockden Brown, Ann Radcliffe, Homer, Shakespeare, and Jonathan Swift among others.
The novel is fraught with problems of gender and power relations. At any moment of emotional weakness, Lionel calls himself 'girlish' or 'womanly,' and the novel seems to privilege women who are selfless and submissive. On the other hand, as Morton Paley's introduction points out, the plague itself is consistently described as female, at one place referred to as 'The Queen of the World'. With regard to power relations, Lionel continually mentions that in the dying world of humanity, social distinctions have all been abandoned - and yet there are still references to his 'servant' or those of other people. The most problematic scene in the novel revolves around racial distinctions when Lionel encounters a dying black man in London.
There are a million things to talk about in 'The Last Man,' and a novel so rich for discussion deserves to be read by as many people as possible. This is a book I warmly recommend, so pick it up and discover that there is more to Mary Shelley than 'Frankenstein'.

59 of 61 people found the following review helpful.
The Beginning of the End
By Greg Hughes
In "The Last Man" (1826) Mary Shelley conceived a plot device that would eventually be used by a string of writers: an apocalyptic plague that virtually wipes out the human race. From "The Last Man" would come books like "The Scarlet Plague" (1912), "Earth Abides (1949) and "The Stand" (1978), each work taking something from its predecessor, each work written in a separate, distinctive era. The passage of time would allow writers to be more graphic in terms of aftermath, as readers became more sophisticated and less disturbed by what earlier generations would consider "horrifying".
"The Last Man" takes place in the late 21st century: a future without telephones, cars, television or computers. In fact life in the 2090s is not that different to the 1820s, apart from a few political changes (Britain is now a republic). Readers who criticized "Earth Abides" for being dated would have even more to complain about here. Shelley could not possibly have guessed the advances, social and technological, that would take place since 1824. Therefore it's helpful for the modern reader to pretend the story is happening in an alternate 21st century, along the lines of "Pavane".
The narrator Lionel Verney spends the first third of the book describing his early life, telling us how an altruistic young man of noble stock (Adrian) took him under his wing, effectively saving him from a life of penury. Lionel and his younger sister now mix in the highest circles, the cultured world of art, literature and music (things which the working class had nothing to do with in the 1820s).
Mary Shelley's prose is formal to say the least. Containing echoes of Byron and Wordsworth, it is rich, stylish and philosophical. It is not until Part two of the novel that the plague makes its appearance. When Shelley describes the plague there is mention of bodies lying in the open and the breakdown of order, but she doesn't treat it with the kind of brutal frankness that Stephen King does in "The Stand". It does look as if King was influenced by Shelley however. Here is a quote from "The Last Man":
"The ward was filled with an effuvia that caused my heart to heave with painful qualms. The dead were carried out, and the sick brought in, with like indifference; some were screaming with pain, others laughing from the influence of more terrible delerium; some were attended by weeping, despairing relations, others called aloud with thrilling tenderness or reproach on the friends who had deserted them while the nurses went from bed to bed incarnate images of despair, neglect and death."
Here is a quote from "The Stand" one and a half centuries later:
"Wards were crammed. Patients lay on the floors. The halls were full; nurses, many of them obviously sick themselves, wove in and out, some of them weeping hysterically. Others looked shocked to the point of coma." King also adds little details like the smell of waste and the cries of the damned. While Shelley is poetic, King is direct and to the point. He was writing for an audience whose attention span has been diminished by things like television and films laden with special effects. The impatient 21st century reader may therefore find "The Last Man" more of a challenge.
Although Shelley's plague is more gradual than those of other writers, society is still crumbling. Even though extinction is in the air, the main characters still perform acts of heroism. The character Adrian has all the makings of a saint. It's just unfortunate that there will be no one left alive to canonize him. Although "The Last Man" is dated, it did pave the way for a genre that still fascinates and terrifies readers today. Mary Shelley is owed a great debt in terms of apocalyptic literature.

30 of 33 people found the following review helpful.
"The Last Man," the best of Mary Shelley's "other" works
By Lawrance Bernabo
Mary Wollstonecraft Godwin Shelley published "The Last Man" in 1826, eight years after her classic "Frankenstein" and four years after her husband Percy Bysshe Shelley died. Of all of her other novels, "The Last Man" is clearly the one that is of more than passing interest. In her Journal in May of 1824 Shelley wrote: "The last man! Yes, I may well describe that solitary being's feelings, feeling myself as the last relic of a beloved race, my companions extinct before me." The result was one of the first novels to tell a story in which the human race is destroyed by pestilence, which we have seen in novels from Richard Matheson's "I Am Legend" and Stephen King's "The Stand," and films such as the recent "28 Days Later..." However, "The Last Man" is also an early example of a dystopian novel set in the 21st century when England is a republic being governed by a ruling elite. Adrian, Earl of Windsor (and a representation of Shelley's late husband) introduces the narrator of the tale, Lionel Verney, who is the required outsider to describe and comment upon the world of the future.
Shelley's vision of the future is essentially a reaction against Romanticism and the failure of the movement to solve the problems of the world with art and imagination. This would stand in contrast to earlier English utopian works such as Francis Bacon's "The New Atlantis," which reflected the Age of Reason's belief that science would solve any and all problems. Shelley begins the story as a romance, with Lord Raymond (presumed to be modeled on Lord Byron) winning the hand of the lovely Perdita and being elected Protector. In contrast to the dire predictions of Thomas Malthus regarding unchecked population growth resulting in mass starvation, an ideal world seems to have been created. But then the plague breaks out in Constantinople and starts spreading. This plague is grounded more in fantasy than science, with Shelley clearly relying more on Boccaccio and Defoe, for her pandemic, which is not contagious (an interesting plot choice to be sure).
The point of the plague is that it allows Shelley to show the best and the worst of human nature. When the demagogue Ryland abdicates being Lord Protector, the altruistic Adrian takes his place and makes an appeal for brotherhood, even as anarchy runs rampant in the streets and eventually the main characters are forced to flee England, which has strong parallels to the expulsion from Eden. This sets up the idea at the end of the novel that the last survivors might be able to establish an earthly paradise and rebuild the human race after the plague has disappeared. I was rather surprised that Shelley kills off her female characters because I had expectations that this would be more of a feminist work. Of course, this is because I remember who her mother was, but "The Last Man" is clearly concerned more with her late husband.
"The Last Man" was probably Mary Shelley's least successful work during her lifetime, but today, which the interest in science fiction, as well as the real world threats of biological warfare and other weapons of mass destruction, this idea of how the world ends is quite pertinent. This is clearly her most important work after "Frankenstein," although obviously we are talking about a significant gap.

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Kim is running through the streets of the old town. She is frightened. A man with dark eyes and a knife is looking for her. He is going to catch her. This holiday in beautiful Barcelona is suddenly very dangerous. Where is Kim's friend Dave? What can she do?

• Published on: 2008-02-20
• Format: Audiobook
• Dimensions: 5.12" h x .4" w x 5.12" l,
• Binding: Audio CD
• 1 pages

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[W283.Ebook] Download PDF Making the Gods Work for You: The Astrological Language of the Psyche, by Caroline Casey

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Making the Gods Work for You presents internationally renowned author Caroline W. Casey's remarkable doctrine of Visionary Activist Astrology. In this reverently irreverent mystery school disguised as a book (in which each of the planetary gods is a professor), we are invited to think of our lives as spiritual detective novels. For example, Venus teaches us that our affinities and quirks are clues to our unique mission and contribution to the world. The astrological language of the psyche is a tool for deciphering and revitalizing this sense of mission. Casey teaches you how to expand your range of intimacy with the ten parts of yourself represented by the planets, here called gods. You will learn how to use this language to reverence and feed the forces of your psyche that connect you to very real external forces. This book intends to catalyze a movement to engage the imagination of all people with a sense of humor and a desire to do collaborative good in the world.

Expanding on the ideas first presented in her popular audiotape series, Inner and Outer Space, Casey explores the archetypes at the heart of human relationships, aspirations, and spiritual quests. In an engaging narrative enlivened by stories, fables, exercises, and meditations developed through her work as an astrological counselor, she provides a practical system of personal and collective liberation. Making the Gods Work for You provides us with innovative principles to live by and rituals inviting us to become active, dynamic participants in the dance of life. We can then become increasingly conscious players on the team of creation, capable of sharing our gifts with the world at this crucial historical time.

• Sales Rank: #979801 in Books
• Brand: Three Rivers Press
• Published on: 1999-08-24
• Released on: 1999-08-24
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Dimensions: 8.02" h x .62" w x 5.20" l,
• Binding: Paperback
• 288 pages

Features

• Used Book in Good Condition

From the Inside Flap
Making the Gods Work for You presents internationally renowned author Caroline W. Casey's remarkable doctrine of Visionary Activist Astrology. In this reverently irreverent mystery school disguised as a book (in which each of the planetary gods is a professor), we are invited to think of our lives as spiritual detective novels. For example, Venus teaches us that our affinities and quirks are clues to our unique mission and contribution to the world. The astrological language of the psyche is a tool for deciphering and revitalizing this sense of mission. Casey teaches you how to expand your range of intimacy with the ten parts of yourself represented by the planets, here called gods. You will learn how to use this language to reverence and feed the forces of your psyche that connect you to very real external forces. This book intends to catalyze a movement to engage the imagination of all people with a sense of humor and a desire to do collaborative good in the world.

Expanding on the ideas first presented in her popular audiotape series, Inner and Outer Space, Casey explores the archetypes at the heart of human relationships, aspirations, and spiritual quests. In an engaging narrative enlivened by stories, fables, exercises, and meditations developed through her work as an astrological counselor, she provides a practical system of personal and collective liberation. Making the Gods Work for You provides us with innovative principles to live by and rituals inviting us to become active, dynamic participants in the dance of life. We can then become increasingly conscious players on the team of creation, capable of sharing our gifts with the world at this crucial historical time.

From the Back Cover
"Writing with wit, intelligence, and much good humor, Caroline W. Casey uses the symbolic language of astrology to clarify the nature of the universe and our place in it. I find useful insight and good advice in her words."
        --Andrew Weil, author of Spontaneous Healing

"Those whose shoes are not nailed to the floor will find a lot of walking in this book. Her wit and savvy aim to help you climb a temple in the middle of the night."        --Robert Bly, author of Morning Poems

"Making the Gods Work for You is a great, fascinating and terrific book with insights into the original meaning of astrology. We recommend it to anybody in search of depth and purpose."        --Sobonfu and Malidoma Somé, authors of Of Water and the Spirit: Ritual and Initiation in the Life of an African Shaman

"This book gives us an effective, imaginative language through which we can unravel the mystery and beauty of the gifts we have brought for each other and discover the joy of offering those gifts fully. So pick this book up with 'reverent curiosity' and allow the wisdom of the larger, starry view to uplift you via the words of this brilliant visionary."
        --Brooke Medicine Eagle, coauthor of Partner Earth: A Spiritual Ecology

"Reading Caroline Casey's Making the Gods Work for You has opened a whole new world for me. The stars will never be the same, nor will I ever distrust astrology again. That's for sure."
        --James Ridgeway, investigative journalist for The Village Voice

"Caroline Casey gives us her wise and personal ways of looking at our old connections to the stars. Here is a book I will be reading again and again."
        --Gioia Timpanelli, founder of Story-Telling Revival

About the Author
Caroline W. Casey has a degree in semiotics from Brown University and has studied esoteric traditions and mythologies from around the world. She lectures and gives workshops internationally and is the author of the best-selling audio series from Sounds True, Inner and Outer Space. Her articles and interviews have appeared in the Washington Post, London Sunday Times, San Francisco Examiner, and The Village Voice. She was primary consultant for Time-Life Books' Cosmic Connections and has appeared on Nightline, Crossfire, and Nightwatch.


From the Hardcover edition.

Most helpful customer reviews

4 of 4 people found the following review helpful.
Read it.
By C Wright
There are no words. I listened to this book on tape over 15 years ago. It changed my world view. This is a unique and original way to use astrology, for self-development and healing; and for co-creation with universal energies. I will be forever grateful to Caroline Casey for sharing her perceptions and knowledge. Read it.

1 of 1 people found the following review helpful.
Outstanding book on the real meanings of astrology with challenging writing style
By Alexandra Hopkins
This is an outstanding reference book on the meaning of astrology and of each constellation and planet. While I've read parts of it straight through just out of interest, it's even more helpful and interesting when I have a question about a particular constellation or planet and really want to get more understanding.

The author has a more powerful purpose for astrology than allowing one to find out what's going to happen. The author feels that the importance of astrology is that it can one attune one to the forces guiding our lives and so work more in alignment with them, capitalize on them even. Thus the title, "Making the Gods Work for You." This is a much more powerful look at astrology than the usual.

The writing style is also unusual. It's in the direction of stream of consciousness as if the author is channeling the cosmic consciousness, a deep source of eternal knowledge -- which she may well be doing. Sometimes the writing is poetic and/or funny. While the book is well-organized into each constellation and planet, due to the writing style, it can be slow-going. So, I usually read a few pages at a time as I need the information. I've needed to re-read parts over and over so that I can take in section as a whole, kind of like being able to swallow a bite of food rather than just read a logical description of what it tastes like.

This is an outstanding reference book for attaining deep understanding of each planet and constellation as well as astrology itself.

0 of 0 people found the following review helpful.
This book is wonderful! Loaded with great insight and wit
By Amazon Customer
I am not an astrology fan, but I am a fan of Caroline Casey's trickster mystery school. This book is wonderful! Loaded with great insight and wit, her knowledge of astrology, mythology, language and fairy tales bring the stars and planets to life. I would highly recommend this book for anyone interested in a good read, in exploring fun and fascinating aspects of life and influence,as well as, well, astrology.

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[Y916.Ebook] Fee Download Henri Cartier-Bresson: ScrapbookFrom Cartier-Bresson, Henri

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Henri Cartier-Bresson's famous scrapbook from the 1940s, published in its entirety for the first time.

Henri Cartier-Bresson was taken prisoner by the Germans in 1940. After two unsuccessful attempts, he managed to escape in 1943. During this period, the Museum of Modern Art in New York, assuming that the photographer had died in the war, started preparing what they thought would be a posthumous exhibition of his work. When he reappeared, Cartier-Bresson was delighted to learn of the exhibition and decided to review his entire oeuvre and curate it himself.

In 1946 Cartier-Bresson traveled to New York with about 300 prints in his suitcase, bought a scrapbook, glued in the photos, and brought that album to MoMA's curators. His exhibition there, a celebration of his survival, opened on February 4, 1947.

In the 1990s, Cartier-Bresson once again turned his attention to this scrapbook. Following his death in 2004, the Fondation Henri Cartier-Bresson, the present owner of the prints, finished the job of restoring them, making it possible to bring a large body of his extraordinary work to the public, images that have now become a memorial collection after all.

• Sales Rank: #1095313 in Books
• Brand: Cartier-Bresson, Henri
• Published on: 2007-03-09
• Original language: English
• Number of items: 1
• Dimensions: 12.90" h x 1.30" w x 11.00" l, 5.10 pounds
• Binding: Hardcover
• 256 pages

From Publishers Weekly
Starred Review. Coinciding with a recent exhibition jointly curated by the Fondation Henri Cartier-Bresson and the International Center of Photography, this splendid selection of more than 300 images presents the iconic French photographer's famous 1930s–1940s scrapbook. Published in its entirety for the first time, it contains many of the pictures that cemented Cartier-Bresson's reputation as one of the 20th century's defining image makers. During World War II, the Museum of Modern Art arranged what its curators thought would be a posthumous exhibition of his work, following his capture by the Germans in 1940. Four years later, the museum discovered that Cartier-Bresson had escaped and survived in hiding. He gladly collaborated with MoMA and brought 300 prints in a scrapbook to New York. Now handsomely reprinted, the collection spans from 1932 to 1946, and includes vivid portraits of Matisse, Picasso, Bonnard and Giacometti, as well as street photography, assigned photo essays and reportage of France's tumultuous war years. Image after striking image reveals Cartier-Bresson's consistency in capturing poignant moments in perfectly composed frames. The scrapbook is notable both for the history and the personalities it records, and for Cartier-Bresson's miraculous ability to be at the right place at the right time. (Apr.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review
“Image after striking image reveals poignant moments in perfectly composed frames. The scrapbook is notable both for the history and the personalities it records, and for the right place at the right time.” (Publishers Weekly)

About the Author
Michel Frizot is Research Director at the Centre Nationale de la Recherche Scientifique in Paris. He lives in France.

Agnès Sire is the Director of the Fondation Henri Cartier-Bresson.

Most helpful customer reviews

12 of 14 people found the following review helpful.
Process of Selection
By Markus E. Mangold
I have liked HCB for about six years. I first saw his picture where a man, caught in mid-air,jumps across a puddle. I still think that this is one of the best photographs ever made.
In the scrapbook, the reader gets to see the many different shots, that made up the bundle from which one image got selected to be published.
While quite a few of the images not selected have their own charm, the finally published image does usually stand. A great look behind the scene of HCB photos, but also a great visual retrospective of his life.
Excellent book with superbly printed photographs.

6 of 6 people found the following review helpful.
Excellent
By Armen Amyrkhanyan
At first view it was very strange to see such tiny (9X12 cm) photos at large pages.Then you become to realize the author's plan to merge you into the world of HCB and you live his life reading this book as if with your pocket full of those small scrap pictures. Very recommended

Armen

5 of 5 people found the following review helpful.
A treasure and an extraordinary document of creative genius ...
By Shannon Leigh O'Neil
Imagine an artist's everyday life in Nazi-occupied Paris, where he was surrounded by violence and the constant threat of violence, where his creative genius (expressed through the lens of a 1932 Leica camera) would produce scrapbook pictures that were literally smuggled from his pocket into our 21st century hands.

You don't need to be deeply enamored of Henri Cartier-Bresson to be awakened by the stunning impact of this collection.

Regrettably, those who find the book a disappointment (because of photos that are much smaller than a full page) are missing the point.

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[L372.Ebook] Ebook THE WRECK OF THE O KIM SOON and other short stories, by Richard E Philpott

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These are short stories of another time. Mysteries and romance deal with the world of the West Indies and Florida Keys, while one tale deals with another world entirely. The Reader is guaranteed to be drawn into these moments for a short period of reading thrills and delights. This is great reading for a flight from Baltimore to...well, Baltimore! They're short stories!

• Sales Rank: #2655012 in eBooks
• Published on: 2012-12-23
• Released on: 2012-12-23
• Format: Kindle eBook

Most helpful customer reviews

0 of 0 people found the following review helpful.
Fun Read!!!!
By SusanG
My first like on all the stories are the historic references. I also enjoyed traveling to areas that I myself have visited, fun to reminisce!
The author's use of the English language is also appealing as he employed verbiage that was excitable and easily interpreted by the reader. Each story engages the reader - a fun read! THE WRECK OF THE O KIM SOON and other short stories

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